Camille edition by Louise Lundberg Claesen Jenifer Lloyd Literature Fiction eBooks
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Camille is a psychological novel of growth. Through a simple, poetic language, we enter a captivating erotic and feminine universe to follow the life of a young Parisian woman. Camille is stuck on a treadmill of loneliness, with a tiresome job as a make-up artist and unfulfilled aspirations as an artist and lawyer, when she meets two very different men – the sexy businessman Sébastien and the awkward artist George – and her life becomes filled with longing and desire. But there is no escaping her past, and Camille is forced to confront the darkest secrets of her childhood ...
Length approx.35,000 words
Camille edition by Louise Lundberg Claesen Jenifer Lloyd Literature Fiction eBooks
Camille is a minimalist portrait of a young Parisian as she navigates her way through her life, love, and existence in the face of a troubled past. The story is more likely classified a novella, however the subtle prose is surprisingly effective in building the Paris of our waifish, auburn-haired protagonist. She is conflicted, as so many early adults are, in the analysis of what one should be doing and what one is doing, and how that fits into the experiential, projected, and formed selves. Who are we? How can we be happy? Where do others fit into this?Finally, what is it about Paris that makes the answers to these questions so much more difficult?
There are some gorgeous scenes in this piece, highlighting the dynamism that occurred when the author Louise Lundberg Claesen originally subtly told her story and Jenifer Lloyd subtly translated it into English. It is difficult to imagine that a book that runs less than 40,000 words and has such a stylistic method behind it was easy to translate and capture the same mood from a Parisian cultural piece written in Danish and translated to American English. Quite a feat, and enjoyable.
I really enjoyed this piece, and I found myself digesting it in small bites in contrast to the ravaging consumption of the written word I usually devour books with. It is as if the piece itself is meant to be consumed in the tiny waifish bites that are similar to those our protagonist eats in her sparse meals with lovers and family in Paris and the family's hotel. It is beautiful and simple, and is beautiful because of its simplicity.
My only complaint is really the last four hundred words or so, but only because I personally felt that they didn't reflect the tone and mood of the rest of the piece, but do not allow this to dissuade any potential readers - I feel that if I were not a man, a father, and a million other aspects of my life that colored my experience with it that perhaps my viewpoint would be different. Everything leading up to that was beautiful, and if you like simple, prose-poem romances, this book is certainly worth your time.
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Camille edition by Louise Lundberg Claesen Jenifer Lloyd Literature Fiction eBooks Reviews
Beautifully written, poignant story. Camille is an engaging character -- troubled but striving. The prose is understated and unassuming; it quietly draws the reader into Camille's world, honestly and without pretension. Sometimes it's the things left unsaid or merely alluded to that leave the deepest impressions.
A fine and beautiful debut by Louise Lundberg Claesen. Camille is a young woman living in Paris. One day she meets Sébastien and falls in love. The relationship pulls her out of a lonely existence but brings out a dark past. The book is a psychological coming of age story written in a minimalistic poetic language.
Camille by Louise Lundberg Claesen is a 108 page fiction story written in third person, present tense. It was originally published in Danish. The translation to English did not work for me at all. I read that it was a psychological thriller/chick-lit novella. I agree with the story being chick-lit but not a psychological thriller, unless you count Camille acting bi-polar. She was extremely happy one moment then nearly suicidal the next, and for no good reason. The story confused and frustrated me all the way through. I kept reading, hoping it would go somewhere. There is very little dialogue, which limits the reader from understanding the characters better, especially in a third person story. The narrator completely tells the story.
Through the book Camille reveals that she and her mother were abused mentally and physically by their father. This has held her back from trusting men and getting into a serious relationship. She fears that it will end up destroying her. Now, she is juggling two of them. I would have liked to have seen more cohesiveness in her feelings and the story line in general for me to have empathy or understand her thought process. Even at the end, I am still not sure if she grew from her experiences or would completely go the other way. The ending was abrupt and gave no closure to the story.
Camille is a beautiful young woman who is confused about who she is and what she should be doing with her life. Her un-fulfilling job and forgotten dreams are the dominant issues in her life, but her introduction to two very different yet lovely men gives her the opportunity to grow and learn more about herself; even things that have been buried deep in her for a long time. In Camille's situation I can empathize, as I often wonder what I can do, or what I should be doing. I thought the effect both men had on her was an interesting dynamic, and I wanted to learn the outcome of that triangle. The writing has a simple beauty to it. It paints an elegant portrait of the Parisian landscape and life, as well as rendering the more minute details of the main characters. I enjoyed the writing most of all, and was drawn into the story almost immediately because of it. The story is short (under 40,000 words), but it is quite a ride nonetheless, and a good show of artistry and skillful control of the written word.
Camille is a minimalist portrait of a young Parisian as she navigates her way through her life, love, and existence in the face of a troubled past. The story is more likely classified a novella, however the subtle prose is surprisingly effective in building the Paris of our waifish, auburn-haired protagonist. She is conflicted, as so many early adults are, in the analysis of what one should be doing and what one is doing, and how that fits into the experiential, projected, and formed selves. Who are we? How can we be happy? Where do others fit into this?
Finally, what is it about Paris that makes the answers to these questions so much more difficult?
There are some gorgeous scenes in this piece, highlighting the dynamism that occurred when the author Louise Lundberg Claesen originally subtly told her story and Jenifer Lloyd subtly translated it into English. It is difficult to imagine that a book that runs less than 40,000 words and has such a stylistic method behind it was easy to translate and capture the same mood from a Parisian cultural piece written in Danish and translated to American English. Quite a feat, and enjoyable.
I really enjoyed this piece, and I found myself digesting it in small bites in contrast to the ravaging consumption of the written word I usually devour books with. It is as if the piece itself is meant to be consumed in the tiny waifish bites that are similar to those our protagonist eats in her sparse meals with lovers and family in Paris and the family's hotel. It is beautiful and simple, and is beautiful because of its simplicity.
My only complaint is really the last four hundred words or so, but only because I personally felt that they didn't reflect the tone and mood of the rest of the piece, but do not allow this to dissuade any potential readers - I feel that if I were not a man, a father, and a million other aspects of my life that colored my experience with it that perhaps my viewpoint would be different. Everything leading up to that was beautiful, and if you like simple, prose-poem romances, this book is certainly worth your time.
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